Biennale of Sydney: artists send protest letter over detention centre links

In the open letter, the artists acknowledge that “this issue places the Biennale team in a difficult situation”.

 

“However, we want to emphasise that this issue has presented us with an opportunity to become aware of, and to acknowledge, responsibility for our own participation in a chain of connections that links to human suffering; in this case, that is caused by Australia’s policy of mandatory detention,” the artists wrote to the Biennale board.

“We appeal to you to work alongside us to send a message to Transfield, and in turn the Australian Government and the public: that we will not accept the mandatory detention of asylumseekers, because it is ethically indefensible and in breach of human rights; and that, as a network of artists, arts workers and a leading cultural organisation, we do not want to be associated with these practices.

“We regard our role in the Biennale, under the current sponsorship arrangements, as adding value to the Transfield brand.

“Participation is an active endorsement, providing cultural capital for Transfield.”

Transfield has been responsible since August 2012 for catering, cleaning, security and transport at Nauru detention centre, according to background documents accompanying the open letter.

 

The artists who signed the open letter:

The artists are Gabrielle de Vietri, Bianca Hester, Charlie Sofo, Nathan Gray, Deborah Kelly, Matt Hinkley, Benjamin Armstrong, Libia Castro, Olafur Olafsson, Sasha Huber, Sonia Leber, David Chesworth, Daniel McKewen, Angelica Mesiti, Ahmet Ogut, Meric Algun Ringborg, Joseph Griffiths, Sol Archer, Tamas Kaszas, Krisztina Erdei, Nathan Coley, Corin Sworn, Ross Manning, Martin Boyce, Callum Morton, Emily Roysdon, Soren Thilo Funder and Mikhail Karikis. 

Here you can find the full letter:

http://images.smh.com.au/file/2014/02/19/5178885/OpenLettertotheBoard.pdf?rand=1392779394530

 

read more: http://www.dailytelegraph.com.au/entertainment/sydney-confidential/artists-demand-biennale-of-sydney-severs-ties-with-company-linked-to-asylum-seeker-detention-centres/story-fni0cvc9-1226831628130

Le cocon familial

Exposition
16 janvier – 28 mars

Institut hongrois | 92, rue Bonaparte 75006 Paris

 

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photo : Ildi Hermann : Series Daughters

 

Szabolcs Barakonyi, Ágnes Eperjesi, Krisztina Erdei, Marcell Esterházy, Viola Fátyol, Zsolt Fekete, Ildi Hermann, Gábor Arion Kudász, Balázs Telek, Viktor Váradi

L’exposition intitulée Le cocon familial présente un parcours autour de la photographie contemporaine hongroise qui, loin d’être guidé par un fil conducteur thématique ou stylistique, a pour point de départ le simple fait que les modèles de ces œuvres sont des membres, fictifs ou réels, de la famille du photographe. Cette sélection de clichés analyse la manière dont les artistes utilisent, dans ce contexte particulier de création, le lien particulier qui les relie à leurs proches. Le dénominateur commun à toutes ces œuvres, c’est cette cohésion, tantôt affichée, tantôt volontairement éclipsée, et dans le même temps, les relations de dépendance et d’inféodation qu’elle met en jeu. Les dix photographes ont des approches, des univers visuels différents mais ils partagent la même volonté de s’exprimer artistiquement au travers du système de relation le plus important et le plus intime de la vie humaine.

L’exposition examine, sans prétendre à l’exhaustivité, la manière dont ces artistes contemporains, aux frontières de la réalité et de la fiction, représentent, mettent en scène, dirigent, utilisent les personnes qui leur sont les plus proches au service de leur création. En effet, ces liens fondateurs sont riches de possibilités : explorer les processus psychologiques, montrer le corps nu, évoquer les schémas imposés ou les valeurs librement choisies ainsi qu’observer l’exceptionnel dans le quotidien ou la trivialité dans les situations extrêmes. En outre, l’institution de l’album-photos familial qui, grâce aux moyens techniques, fait partie de notre vie depuis plusieurs générations, offre aux photographes un terreau fertile pour leurs expérimentations et leurs créations picturales. Ce point de départ représente une source d’inspiration particulièrement intéressante, d’autant plus significative qu’elle permet en fin de compte au photographe lui-même de lever le voile et de donner accès à sa sphère privée et à son histoire personnelle.

Les œuvres qui évoquent dans différents langages les thèmes les plus variés véhiculent à la fois des symboles universels etdes histoires subjectives que le visiteur peut interpréter à des niveaux toujours renouvelés, en fonction de sa propre expérience. Ces récits et ces instantanés, ces confessions volées et ces mensonges mis en scène posent en eux-mêmes beaucoup de questions qui, en définitive, nous interrogent sur la responsabilité et la nature humaine en général dont le cocon familial est le laboratoire idéal.

Krisztina Erdei: Let's Sleep On It

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When you need to make a tough decision, generally you say: let’s sleep on it. Krisztina Erdei’s already familiar universe will now hit the walls via  a rather unusual medium, because Christmas is coming. Some of these photos might seem provocative at first glance, some even insulting for certain people, while others obviously trigger affection or sympathy in the viewer. Asking for patience or delayed reaction, as implied by the title, makes us pensive on one hand, but on the other it also makes us passive. However, there are some cases where dillydallying is not the best strategy. Sleep, for instance, is an activitity which for humans is not easy to carry out while standing.

Vernissage: 11.26.2013., 18.30

 Address: Csináltam neked egy éttermet, és ez sem elég, Madách Imre út 8., Budapest, Hungary, 1075

Continue reading Krisztina Erdei: Let's Sleep On It

PLAT(T)FORM 2014

Emerging artists and photographers presented their portfolios

Saturday, 25 January 2014, 11 a.m. – 7 p.m.
Sunday, 26 January 2014, 11 a.m. – 5 p.m.

Friday, 24 January 2014, 7.30 p.m. – 9 p.m.
The invited experts will each give a 20 minutes presentation on their work in the field of photography and their passion for the medium. The curators who were invited by the Swiss Arts Council Pro Helvetia will also be introduced to the public.

Saturday, 25 January 2014, 8 p.m. – midnight
Dinner party

The eighth curated international portfolio viewing featuring young emerging European photographers will be held on the weekend of 24 to 26 January 2014. Under the new direction of Duncan Forbes and Thomas Seelig, Fotomuseum Winterthur has invited 42 photographers to present their work for two hours to the public and a selected team of experts. The participants have been chosen from among some 150 nominated photographers. Plat(t)form 2014 is aimed at professionals such as curators, gallery owners, publishers, editors and photographers. At the same time the event offers interested visitors an opportunity of discovering the work of young photographers and artists and of meeting them in person.

Photographers and Artists Plat(t)form 2014:
Milou Abel (NL), Duarte Amaral Netto (PT), Mathieu Asselin (FR), Phillip Aumann (DE), Morten Barker (DK), Máté Bartha (HU), Sara Bjarland (FI), Justine Blau (LU), Sarah Carlier (BE), Yves Drillet (FR), Cédric Eisenring (CH), Robert Ellis (IE), Krisztina Erdei (HU), Michael Etzensperger (CH), Anna Fabricius (HU), Julie Georgen (LU), Andreas Enrico Grunert (DE), Adrien Guillet (CH), Annabel Hesselink (NL), Viivi Huuska (FI), Sophie Jung (LU), Charlie Koolhaas (NL), Joëlle Flandrina Lehmann (CH), Osservatorio Fotografico (Silvia Loddo & Cesare Fabbri/IT), Tom Lovelace (UK), Sara-Lena Maierhofer (DE), Theo Michael (GR), Benjamin Mouly (FR), Sabine Niggemann (DE), Hannah Perry (UK), Max Pinckers (BE), Stef Renard (BE), Sevim Sancaktar (TR), Theo Simpson (UK), Carlos Spottorno (HU), Sebastian Stadler (CH), Andrzej Steinbach (DE), Sutercaputo (Linda Suter & Paola Caputo/CH), Anna-Stina Treumund (EE), Christoph Westermeier (DE), Stuart Whipps (UK), Xiaoxiao Xu (CN/NL)

CODES OF REALITY

Mesiac Photografie 2013, Bratislava

Béla Dóka · Krisztina Erdei · Zsolt Fekete · Gábor Arion Kudász

Curator: Gabriella Csizek

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The grouping of works by the four artists Béla Dóka· Krisztina Erdei· Zsolt Fekete· Gábor Arion Kudász may seem unusual at first. However, if we immerse ourselves in the worlds enclosed in these images, we discover the connections amongst them through their simplicity and ability to condense meanings. We see personal documents about the reality they experience as filtered through the triad of their emotions, thoughts, and souls — the joyful life of Béla Dóka and his loved ones in nature; Krisztina Erdei’s real world revealing the impossible; Zsolt Fekete’s perspicacious portraits and landscape photos from a neat world; Gábor Arion Kudász’s images of the eerie traces of human presence in the barely existing untouched nature.

 

 

Water and Future

Nation-wide billboard exhibition
on the occasion of the Budapest Water Summit 2013
September 1 – 30, 2013.

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BENKŐ Imre, DARÓCZI Csaba, DRÉGELY Imre, ERDEI Krisztina, FABRICIUS Anna, HAJDÚ D. András, HARTYÁNYI Norbert, H. SZABÓ Sándor, KÁLLAI Márton, KALLOS Bea, KASZA Gábor, KÉKESI Donát, KUDÁSZ Gábor Arion, MÁTÉ Bence, MOLNÁR Zoltán, PÁLYI Zsófia, SIMON Márk, STILLER Ákos, SZILÁGYI Lenke, TELEK Balázs, TÓTH Szilvi

Water, a fundamental condition of life, has become one major issue in public life. We are continuously warned about the importance of conscious consumption, or hear debates about the melting arctic ice, the raising of dams. Every day we see images of devastating floods, raging storms, or threatening droughts in the media. No wonder that photography, today’s most popular genre of imaging, also deals with the topic on a daily basis.

The selection, which now is presented on billboards and citylight posters, features a wide array of photographic interpretations by renowned artists, ranging from press images through fine art or nature photography to the documentary style. The exhibit seeks to respond to how Hungarian artists portray and apply the theme of water through their research, reports, and artistic attitudes. We intended to transmit essential questions of sustainable development to the broadest possible masses through the medium of photography.

Emerging throughout the country, the photographs were selected from works taken after 2000 by Hungarian photo-artists but not necessarily in Hungary. The curator of the exhibition is Sári Stenczer.

On the occasion of the Budapest Water Summit, the Hungarian House of Photography, together with INDAFOTÓ site, also announced a photography contest to provide an opportunity for all those camera users who find it important to reflect on water and to capture its peculiar, characteristics and features. All submissions are available viahttp://indafoto.hu/gyujtemenyek/viz_es_jovo , while the selection of 10 entries will be on view at the Hungarian House of Photography’s Mai Manó Gallery between September 19 and October 13, 2013. More information: www.budapestwatersummit.hu és www.maimano.hu

The nation-wide billboard exhibit and the organization of the photo contest were funded by the Ministry of Foreign Affairs and the Ministry of Human Resources.

Art Factory 2013, Catania

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Az Art Factory 2013 elnevezésű kortárs képzőművészeti vásár kiemelt kísérőeseményeként nagyszabású magyar művészeti kiállítás nyílt Cataniában. A „Contemporary Budapest” (Kortárs Budapest) címmel létrejövő tárlat a vásár helyszínén álló önálló kiállítási épület teljes területén, három kiállítási szinten összesen 29 magyar művész – köztük festők, szobrászok és fotóművészek – alkotásait mutatja be a várhatóan nagyszámú olaszországi közönségnek. A Magyar-Olasz Kulturális Évad keretében, az olaszországi vásár és a budapesti Art Market Budapest nemzetközi kortárs képzőművészeti vásár közötti együttműködés eredményeként megvalósuló esemény szervezője az EDGE Communications művészeti ügynökség, közreműködő partnerei a Magyar Fotográfusok Háza – Mai Manó Ház és a Budapest Art Factory non-profit művészeti szervezet.

Kiállító fotóművészek:

Barakonyi Szabolcs, Doka Béla, Eperjesi Ágnes, Erdei Krisztina, Esterházy Marcell, Fátyol Viola, Fekete Zsolt, Hermann Ildi, Kudász Gábor Arion, Puklus Péter, Szász Lilla, Telek Balázs, Váradi Viktor.

 

You Imagine What You Desire

The 19th Biennale of Sydney: You Imagine What You Desire will be presented from 21 March – 9 June 2014, under the artistic direction of Juliana Engberg.

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The preview artist list, published online at www.biennaleofsydney.com, reveals the names of 18 artists already selected for the 19th Biennale: Yael Bartana, Ulla von Brandenberg, Mircea Cantor, David Claerbout, Yingmei Duan, Krisztina Erdei, Douglas Gordon, Henna-Riikka Halonen, Roni Horn, Mikhail Karikis, Laurent Montaron, Agnieszka Polska, Augustin Rebetez, Maxime Rossi, Wael Shawky, John Stezaker, Corin Sworn, and Tori Wrånes.

You Imagine What You Desire is an evocation celebrating the artistic imagination as a spirited describing and exploration of the world through metaphor and poesis. It makes enquiries into contemporary aesthetic experience, and relates this to historical precedents and future opportunities to imagine possible worlds. It seeks to understand the need artists have today to create immersive and expanded environments, and locates this activity as part of an art historical trajectory, and as a pursuit into the issues of human consciousness, and their psychological, cognitive and corporeal imperatives.

It reminds us that powerful art is not divorced from the cultural conditions, political, social and climatic environments in which it is generated. That indeed it often exists to provide a meta-commentary on these aspects of society – and even, sometimes, act as an antidote and proposition. As a future vision.

You Imagine What You Desire seeks splendour and rapture in works that remain true to a greater, even sublime visuality. Today these things co-exist and overlap, and the tactics of theatricality cannot be separated from overtly social-situationist inspired works, just as they are central to works engaging with humanity at a grand scale. Extra energies are sought in works that unleash physical and psychic intensity. A happy anarchy is produced with works that activate the power of imagination through laughter and activity.

JCE Biennial 2011/2013 Last Exhibition

Amarante, Portugal
OPENING SATURDAY 27 APRIL, 2013

Exhibition from 27 April to 23 June 2013

At Museu Amadeo de Souza Cardoso

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The JCE has been weaving its web in the European community since its creation in 2000. The 2009/2011 biennial gathers together eight partner countries and one invited country. This time, Austria, Spain, France, Italy, Lithuania, and Portugal, the partner countries of the biennial’s previous edition, are being joined by Hungary, Slovakia, and Poland. This growing community is lending an unparalleled new vision to the young artistic creation that is currently taking place within Europe.

Backed by an urban partnership (comprising one city per each represented country) is a partnership made of diverse cultural institutions and contemporary art experts, whose main goal is to search for and discover new talents. Each partner acts within its own territory to present an overview of the emerging artistic creation, and to select a group of approximately 10 artists that best represent their generation.

The JCE is built around a growing number of major art professionals and experts who all share a passion for discovering young talents, and who are convinced by the necessity of artistic exchanges within the European community. Their involvement, their initiative, and demand for quality are among the major strengths of the JCE project.

Contemporary Feel

Exhibition in NextWave, Budapest

 

 

krisztina ERDEI_2009.12.08. 12.10 Ozd Hungary

 

Attracting international acclaim, documentarist works by Krisztina Erdei were shortlisted for BMW prize at Paris Photo2010. Erdei’s spicy humor and inventive cultural analysis sheds new light on one’s everyday surroundings, typical situations of life.

 

One feels at ease thinking along the same lines as she does–the resctructuring of one’s environmentthrough communication of expressive, subjective content not only requires, but also triggers creativity, braveness, and sophistication. Krisztina Erdei’s photos make one think. Bizarrely organic constellations are pointed out or created, ever readily to surprise the viewer.