I CARE, therefore I am – Exhibition opening & live performances

Caring is a common experience for all of us, and it shapes our lives from birth until death. It can be interpreted on the personal level (self-care) or projected onto relationships between people (maternal or parental care, elderly care). Still, it can also be extended to caring for nonhumans and, in a broader sense, for the Earth itself.
Care and the activities associated with it are historically, socially and culturally closely linked to women. For centuries, care has been unquestionably linked to women’s and mothers’ roles. The works selected for the exhibition deal with caring relationships between (female) generations, the role of invisible work, and the status and unequal distribution of caring activities.
 
At the opening event:

* the starting point of Andrea Fajgerné Dudás’s performance is THINKING and UNCONCEIVABLE WORK.

As a young student artist (and mother of young children), she formulated her landmark manifesto for the history of art (Manifesto for Maintenance Art, 1969), and inaugurated the ever-changing tasks of domesticity and care into art.
 
* interactive performance of Erdei Krisztina – “Visitors as invisible museum guards”
 
Exhibiting artists

BAGLYAS Erika, ERDEI Krisztina, FAJGERNÉ Dudás Andrea, FÁTYOL Viola, GAJEWSZKY Anna, HERMANN Ildi, KORTMANN-JÁRAY Katalin, MENDRECZKY Karina, OLÁH Mara OMARA, POPRÁDI Flóra
 
Curator

POPOVICS Viktória, DABI-FARKAS Rita
 
The exhibition is open: Liszt Institute Brussels, 15 May – 18 June
 

SALT.CLAY.ROCK on nuclear past and radiant futures

In the midst of the current energy crisis, how do we think about nuclear energy and the search for energy alternatives? Can we imagine energy futures not only without fossil fuel, but also beyond the nuclear? And how do we deal with high-level radioactive waste? Inspired by the three types of rock—salt, clay, and granite—that are considered suitable containers for nuclear waste storage, SALT. CLAY. ROCK. takes a situated and site-specific approach to artistic research. Eight commissioned artists are invited to engage with different places and communities across Germany and Hungary—from tiny villages to industrialized small towns—that host nuclear infrastructures (such as uranium mines, power plants, and waste repositories), or that have been important sites of anti-nuclear resistance.

Artists: Ana Alenso, András Cséfalvay, Krisztina Erdei, Csilla Nagy & Rita Süveges, Sonya Schönberger, Marike Schreiber, Dominika Trapp, Anna Witt

More info about the project: https://saltclayrock.ngbk.de/en

The Sari family in the visitor center of RHK (Nuclear Storage Facility) in Bátaapáti